Saturday, April 11, 2009

Fred's Back


I feel much more comfortable and confident doing male models. Strange. Must be that my drawing technique favors hulky, cut figures. I do prefer shapes and lines over soft shading and curves. Possible explanation. Freud might have a different one, though. Anywho..., this week I was determined to construct a complete compisition within the frame of one page. I am very happy with the results. I usually zero in and have a difficult time getting the whole picture in view. I'm now training my eye to work more telescopically. I also did a quick sketch with pastel colors. Every little bit helps in familiarizing myself with the mysteries of ROYGBIV.

Sunday, April 5, 2009

Back to the Drawing Board



A new session has begun at the Creative Oasis where I draw, and I've decided to tackle the thorny issue of color. Colorology is a totally distinct, complex science. Sketching in monochrome is one thing, but adding color is a whole other issue. I've always been fascinated with color but never quite got it. In the next few weeks, I'll begin my journey to learn how to use it. The piece here was done in pastels (another medium I find intriguing but don't have a good handle on). I'm having a particular difficult time applying color to the skin, trying to avoid making it look too flat or too colorful (where it ends up looking like fabric instead of flesh). The monochrome one-line sketch was done at the end of the session to give my eyes a break (and restore some confidence and control:)). I did another black and white sketch, but my scanner pooped out on me. Anyway, there they are

Saturday, March 14, 2009

New Pics

So...I haven't posted for a couple of weeks because we've been traveling on the weekends--skipping art class. A new low, I know. Anyway, I was pleased to see a new model in the studio today. She presented a whole new anatomy of forms and poses (pardon the pun). It was nice. Men's complex musculature doesn't quite provide the same satisfaction that a curvy female form does.

This time around I decided to exercise a different section of my artistic mind. Instead of aggravating my already feverish penchant for detail and perfection by focusing on one piece, for this session I elected to use a variety of different sketching methods from a number of different angles. The sketches are thus more unfinished but at the same time more suggestive, having lasted at the most 15-20min. The continuous line sketches (that's right, no unbroken lines--like a long spaghetti noodle) actually lasted about a minute or so.

Enjoy.






Saturday, February 14, 2009

The Male Model's Back


Any grammatical way you look at that title it works (after all, it "is" "his" back). Which brings me to something else: I've decided to call our male friend "Fred." "Fred" was supposed to be replaced by "Sally" today. But apparently something came up. So we did a side of "Fred" we've never seen before: the backside. I reckon Mom would've liked this one. As interesting as it is to sketch good ol' "Fred," though, I'm looking forward to softer-fleshed "Sally." She should be showing up in the next couple of weeks. Enjoy.

Saturday, February 7, 2009

Back to the Drawing Board


This standing pose with full lighting was a bit more challenging. It becomes more difficult to pick up differences in tone and keep the whole model in view. A good challenge...

Saturday, January 31, 2009

Back to the Drawing Board



Jenny, in all her infinite wisdom, decided that what I needed for Christmas was an art class. Something to get me back doing something I truly love and that is truly relaxing (all types of reading have essentially been ruled out as pass-times for me). So, I signed up for a figure-drawing, sculpting class at the local art studio and my first session was today. It was great. Above are two sketches from magazines I did this week at home to warm me back up for creative work. The one below is a rendition of the live model in the studio today. I very much enjoyed it and am looking forward to future sessions to hone my skills and to ease my nerves. 'Till next week...

Tuesday, December 23, 2008

Murakami and Running

When I picked up Haruki Murakami's most recent book, I was giddy for a continuation of some post-modern experience--elephants vanishing and all that. The English title seemed promising in this regard, "What I Talk About When I Talk about Running." The cognitive compounding of thoughts and actions appeared to point to a comically twisted, self-reflexive tale of one sort or another.

Before cracking the volume in front of our crackling fire, I admit that I had already known a little bit of Murakami's life and habits. Last semester I was given the task of teaching a course on the Introduction to Asian Literalture and in my haste to suture my own syllabus out of a pile of colleagues' old ones, it just so happened that some of Murakami's 's short stories found their way into my curricural Frankenstein. Of course, before I taught the class (more precisely, a week before I lectured on him) I hadn't the faintest idea what kind of writer or person he was. Some days before I had to tell my students something significant about him, I started flipping through his short story collections and surfing the web. Wikipeida is always a great place to start. I finally came to find out that he lived a very interesting and enviable life. At least, that is how I feel about it.

His dual-life as an athelete and artist stirred something in me that I had burried long ago and that graduate school was at present stamping further into my depths: the prospect of a creative and physically engaging existence, one balanced by the body and the mind. The two things I absolutely loved to do throughout childhood and adolescence was to write, paint and play soccer and ski. Strictly speaking, this doesn't make me compatable to Murakami, not by any stretch of the imagination. For one, he writes well and continues to race in marathons. I, on the other hand, as any of my advisors can tell you, am no paragon of the pen--seriously lacking in substance where I attempt to be most influential and earnest. Not to mention, I've practically given up on soccer and skiing (permanent injuries, money issues, blahblah). These are the shortcomings that prevent any sort of direct correlation between me and the famed author I'm referring to (and secretly envying). However, the dual-desire to exercise the mind and body is certainly kindred, and Murakami's life and writing inspires me to dust off my tired and buffeted dreams to live healthily and creatively. He was thirty-three, a ripe old Dantean age, when he launched his habits as novelist and runner. Having just turned thirty-one, I aspire to make similar adjustments for my own good. Maybe it won't be a novel and a marathon...At the very least, it has to be an engaging dissertation and the occasional lap around the tredmill.