Renaissance Women II

After a long hiatus in London, which offered its own inspiration in the way of Botticelli exhibits at the V & A, I returned to Kentucky to finish the first tile in relief, a detail of Mary from the Cestello Annunciation.

With some advice from a colleague and master ceramist, Judith Jia, I decided to experiment with oil paints on fired clay.  It produced a stunningly bright and velvety texture to the relief.  I'll be using it on the remaining tiles.

I then spent some time selecting the right gilded frame to give the proper Italianate feel, and ecco!

I can't wait to begin the next elegant Madonna.